Blunt Force Trauma: the Nikon F

A classic brick.

A classic brick.

SLRs are the current common form of not-so-ameteur photographer’s camera. The advanced enthusiast and professional alike turn to the Canons and Nikons and the likes for much more controlled photographic settings that they could get from camera phones like the iPhone and Galaxy S4 Zoom, or most point and shoots like the toy Diana and the Olympus XA2 (what have we done with that damn thing?)

But all camera companies have to start somewhere, right?

Like many great things, the Nikon F was not the first of its kind to enter the world, but it made the greatest splash and launched Nikon (and Japanese camera manufacturers in general) into the limelight.

And chances are good it made a big splash because of its weight. This camera is a blunt brick of a thing. I would have no qualms about using the F as a brute force weapon. There would certainly be more damage to a head than this solid hunk of metal and glass.

The best part is that after you brained someone with it, you would be able to make some exceptional keepsake photos. Nikon’s first SLR was built with the expectation of evolving camera standards, and thus is very adaptable and extremely high quality stuff. From the viewfinder to the focusing screen to the film back, the Japanese showed their technical superiority and forward thinking capabilities with this guy.

With the SLR’s 1959 launch also came Nikon’s F lens mount, which makes it compatible with almost all lenses made since then, even the modern autofocus models. Brilliant! Now you can ditch that blood-covered hunk of glass and still be able to pick up a new clean one! Just don’t forget to wipe your prints off of it first.

You’ll have to plan accordingly when caring around a Nikon F. It’s so heavy it may slow you down when you’re running to escape the police. And they may use a few of them as battering rams to knock down the door of your hideout. And then use them to shoot the crime scene photos.

Beer Money Fund

Cuz sometimes you need one.

Made with Nikon F, Nikon Series E 50mm f/1.8 lens, Kodak Portra 160 ISO color film

Tea Shop (EDIT NEEDED)

I am a big fan of tea. Drink it every morning, if I have any. And thanks to City Roast Coffee (and tea!), I can keep up with my loose leaf love!

Made with Olympus OM-1, Super Albinar MC Auto Zoom 38-70mm f/3.5 lens, Kodak Tri-X 400 ISO black and white film

Family Dinner

Merry Christmas! May your holidays be full of family, food, fun, and (if you’re into it) film photography!

Made with Polaroid 250 Land Camera, Fujifilm FP3000B black and white instant film

Bountiful Produce

Corn, artichoke, beans, and garlic make for excellent choices at the produce stands as people prepare for their holiday feasts.

Made with Canon Canonet QL17 GIII, Fujichrome Velvia 100 ISO color slide film

Do Not Park

Hey. You. Don’t park here.

Made with Kodak Pony 135 Model B, Kodak MAX 400 ISO color film

Holiday Hams!

Butchers keep up a brisk trade during the holidays, but a little reminder to patrons never hurts.

Made with Olympus OM-1, Super Albinar MC Auto Zoom 38-70mm f/3.5 lens, Kodak Tri-X 400 ISO black and white film

A pair of stand workers at the West Side Market caught my lens. I appreciate the smiles!

Made with Nikon F, Nikon Series E 50mm f/1.8 lens, Kodak Portra 160 ISO color film

White Tree

Cleveland MetroParks. Lovely place.

Made with Olympus OM-1, Olympus OM G.Zuiko 55mm f1.2 lens, Kodak Tri-X 400 ISO black and white