Blunt Force Trauma: the Nikon F

A classic brick.

A classic brick.

SLRs are the current common form of not-so-ameteur photographer’s camera. The advanced enthusiast and professional alike turn to the Canons and Nikons and the likes for much more controlled photographic settings that they could get from camera phones like the iPhone and Galaxy S4 Zoom, or most point and shoots like the toy Diana and the Olympus XA2 (what have we done with that damn thing?)

But all camera companies have to start somewhere, right?

Like many great things, the Nikon F was not the first of its kind to enter the world, but it made the greatest splash and launched Nikon (and Japanese camera manufacturers in general) into the limelight.

And chances are good it made a big splash because of its weight. This camera is a blunt brick of a thing. I would have no qualms about using the F as a brute force weapon. There would certainly be more damage to a head than this solid hunk of metal and glass.

The best part is that after you brained someone with it, you would be able to make some exceptional keepsake photos. Nikon’s first SLR was built with the expectation of evolving camera standards, and thus is very adaptable and extremely high quality stuff. From the viewfinder to the focusing screen to the film back, the Japanese showed their technical superiority and forward thinking capabilities with this guy.

With the SLR’s 1959 launch also came Nikon’s F lens mount, which makes it compatible with almost all lenses made since then, even the modern autofocus models. Brilliant! Now you can ditch that blood-covered hunk of glass and still be able to pick up a new clean one! Just don’t forget to wipe your prints off of it first.

You’ll have to plan accordingly when caring around a Nikon F. It’s so heavy it may slow you down when you’re running to escape the police. And they may use a few of them as battering rams to knock down the door of your hideout. And then use them to shoot the crime scene photos.

Beer Money Fund

Cuz sometimes you need one.

Made with Nikon F, Nikon Series E 50mm f/1.8 lens, Kodak Portra 160 ISO color film

A pair of stand workers at the West Side Market caught my lens. I appreciate the smiles!

Made with Nikon F, Nikon Series E 50mm f/1.8 lens, Kodak Portra 160 ISO color film

No Parsley

Fresh produce (and an almost reference to a Simon and Garfunkel song), a vital ingredient in a wonderful, traditional turkey day.

A very happy Thanksgiving to you and yours as well!

Shot with Nikon F, Nikon Series E 50mm f/1.8 lens, Kodak Portra 160 ISO color film

Reception Roses

A wedding reception table decoration: a single rose, suspended for all to see.

Simple and profound.

Made with Nikon F, Nikon Series E 50mm f/1.8 lens, Kodak Portra 160 ISO color film

Enter Other Door

Metalwork is fascinating stuff, especially when it’s used in functional ways (or not).

Made with Nikon F, Nikon Series E 50mm f/1.8 lens, Kodak Portra 160 ISO color film

Paper Roses

A bouquet of handmade flowers, a lovely booth at a craft fair.

Made with Nikon F, Nikon Series E 50mm f/1.8 lens, Kodak Portra 160 ISO color film

Rainy color

Blue umbrella, green bench, drizzle-y day. The end of summer came to Cleveland rather soggy this year.

Shot with Nikon F, Nikon Series E 50mm f/1.8 lens, Kodak Portra 160 ISO color film

Who is that?

“Hey, who’s the guy with the giant metal camera?”

“I dunno. What’s he doin’?”
“Takin’ a picture, obviously.”
“GOO GOO GAA GAA”

Shot with Nikon F, Nikon Series E 50mm f/1.8 lens, Kodak Portra 160 ISO color film

Before I die, I want to...

A chalkboard wall, a simple prompt, and the city responds. Outside wall, Market Garden Brewery, near the W. 25th St. entrance of the West Side Market.

Shot with Nikon F, Nikon Series E 50mm f/1.8 lens, Kodak Portra 160 ISO color film